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Sunday, August 16, 2015

Welcome to "A Time Forever Gone" SAL!

A Time Forever Gone Stitch-a-Long


Hello fellow stitchers,

Welcome to “A Time Forever Gone” SAL!  I am so happy to have you join me in stitching this design as I think you will enjoy the specialty stitches and details that bring this tribute to Georgia to life.  I had originally planned to create a new blog for this SAL, but thought it would work just as well on my Heart's Ease Examplar Workes blog.  Before I give you the first suggested stitching schedule, I’d like to tell you a little bit about how I was inspired to do this design.  First of all, I was contacted by Caroline Thomes, from the Sampler Guild of Georgia, to see if I would be interested in coming to Atlanta to teach one of my designs.  During the conversation, we talked about how very few antique samplers from that area of the south had survived.  The Civil War, climate and insects had certainly taken their toll on whatever was there originally.  Somehow, I suggested that I could come up with a new design, that would have the spirit of an old sampler that may have been stitched by a young lady in the mid 1800's.  And that is how the process got started!

After watching “Gone With The Wind” several times I felt a surge of creativity, both in the artistic representation of the design, as well as poetically, in the composition of the verse that would accompany the design.  I knew that I wanted a swag of flowers instead of a traditional border, so I researched flowers indigenous to the Atlanta area and started putting my ideas together using my design software.  It took me a while, but I finally came up with a design that I truly love.  I hope you will feel the same. For your convenience, each stitching schedule will be converted to a downloadable/printable PDF file, the link to which will be posted in the side bar of the blog.  From this point on the schedules will be posted on the 1st of each month and will be 2 months in duration.  Here are the dates of publication:

Assignment 1 - August 15, 2015
Assignment 2 - October 1, 2015
Assignment 3 - December 1, 2015
Assignment 4 - February 1, 2016
Assignment 5 - April 1, 2016
 Assignment 6 - June 1, 2016  

That will make the SAL a year in duration and, for a large sampler such as this, by August 15, 2016 each of you participating will have your sampler completed and ready for framing.

As with all of my designs, in order to make it your “own”, I encourage you to make changes to colors and/or design as you see fit.  I have done a conversion of the Belle Soie I used to stitch my sampler, to DMC solid colors.  If you have overdyed cottons or other fibers in your stash that you would prefer using, then I suggest you use the DMC color for comparison to pick out a complimentary floss with which to stitch your sampler.

Okay, let’s get on to our first suggested assignment!  I always start my samplers from the upper left corner and work my way across and down, so that is how I will start this assignment.  Measure 3 inches from the top and side of your linen to start your first stitch.  See diagram below.
We will be working the  floral/raspberry swag across the top until we get to the basket, and then down the left side.  See the following diagram.

Stitch the vines around the white raspberry flower (diagram on next page) before you do the satin stitched petals.  If you do the satin stitches beforehand, you will have difficulty finding the holes for your stitches as the satin stitch will cover them up.  I found it easier to stitch the Rhodes Stitch center before I did the satin stitched petals as well. In the instructions that came with your chart, you will find the diagrams for the specialty stitches.  The center of the Dogwood and Coreopsis are done in the Spiral Trellis Stitch (see diagram for stitch at the end of this post), and the center of the spring violas are done with the Tied Windmill Stitch.  Save the Spiral Trellis centers for last as it will be easier to stitch them with an even tension if you do them at the same time, gaining a natural rhythm as you go, so they look consistent.  For the Azalea blooms, save the long stitched stamens for last.

       Well, that is it for the first assignment.  If you should have any questions or comments, please do not hesitate to contact me.  I’ll keep you posted on my progress and post pictures as I continue to the finish for the “A Time Forever Gone” model. Be sure to check the right side bar of the blog for the link to the printable PDF file of this assignment.

Yours in friendship and stitches,

     Theresa

P.S.  My apologies for getting this posted late.  My life is giving new meaning to the old saying, "A day late and a dollar short."  I appreciate your understanding.